At the photocopier at work
In the doctor’s office
At that group meeting
As I see you but I do not follow you
In a hotel room
Buying food & drink
Cigars & morphine
Dolphins
D N A
Beer that doesn’t have a name
In your garden
At your computer
I’m here when you are there
We are in this together
But the job
But the eyes and brain
In a queue at the bar
In your car
In the doctor’s office
Thursday, 25 February 2010
Wednesday, 24 February 2010
She asked me questions and I answered in a voice that wasn't mine
As love did fade
She found my skin
She asked of me
To sing again
From a balcony
From her en suite
For the obese
For the dead street
She watched me leave
& let me go
I slept before
A song I know
She found my skin
She asked of me
To sing again
From a balcony
From her en suite
For the obese
For the dead street
She watched me leave
& let me go
I slept before
A song I know
Tuesday, 23 February 2010
Jesus
Jesus, she coughs up caterpillars
And fashion magazines.
Jesus, she farts self portraits
And cocktail recipes.
Jesus, she sneezes on fat couples
And disabled children.
Jesus, she eats tissues, barbells,
Planks of wood.
She knows pirates,
She dances with wolves,
She’s sung to Hitler.
Jesus, she loves me.
And fashion magazines.
Jesus, she farts self portraits
And cocktail recipes.
Jesus, she sneezes on fat couples
And disabled children.
Jesus, she eats tissues, barbells,
Planks of wood.
She knows pirates,
She dances with wolves,
She’s sung to Hitler.
Jesus, she loves me.
Monday, 22 February 2010
A list of what makes G M
Behind great men are
Children choking on jellies
Dirty fingernails, bags of washing
Alcoholic fumes, extensive repression,
Cook books, a guide to Hanoi,
Stroke mags, maternal complication,
Women with male names, fridges of French mustard,
Boxes of aspirin, confused body clocks,
Auditory commands, aspirations of grandiose proportions:
‘I’ll K.O Iron Mike.’
‘Cheryl would fuck me.’
‘French is easy.’
Great men have twisted and serious addictions to
Rum and Raisin Ice Cream,
Double Cheeseburgers and Bourbon.
Bouts of silence and gambling.
Inimical dancing.
Great men are often found in single rooms or
Walking cemeteries.
Great men need great women
But where are they?
Children choking on jellies
Dirty fingernails, bags of washing
Alcoholic fumes, extensive repression,
Cook books, a guide to Hanoi,
Stroke mags, maternal complication,
Women with male names, fridges of French mustard,
Boxes of aspirin, confused body clocks,
Auditory commands, aspirations of grandiose proportions:
‘I’ll K.O Iron Mike.’
‘Cheryl would fuck me.’
‘French is easy.’
Great men have twisted and serious addictions to
Rum and Raisin Ice Cream,
Double Cheeseburgers and Bourbon.
Bouts of silence and gambling.
Inimical dancing.
Great men are often found in single rooms or
Walking cemeteries.
Great men need great women
But where are they?
Bowling Alley Bar
I drink a Saturday night Sazerac
Without fever and all these ladies
Are dressed like its 1970
And the dumb DJ plays foul disco
The couch is made of sand
And there’s two mirrorballs
A lesbian waitress with breasts
Like cushions bites a double cheese
Burger next to me
And I raise my hard earned hand
And a black girl of short skirt
And legs of smooth muscle
Eyebrows arched
Says ‘Hold on boy.’
She puts the tumbler on top
Of my notebook and pouts
As if I hadn’t seen enough
‘What you writing?’ she asks.
‘The history of cocktail waitresses.’
She leans down so swell
Her titties are magnificent
And perfume like a dessert
Wine starts me off
‘How much have you had to drink?’
Women interrupt moments of play
With too much banality
‘Je ne me souviens pas.’
‘Vraiement, smartass.’
Hand on my thigh
She takes my blue pen and
Puts down numbers
‘I’m done at 1 and live
Two streets away but you
Can walk me home.’
‘Should I…?’
‘There’s plenty to drink at
My place, but wait ‘till then.’
Without fever and all these ladies
Are dressed like its 1970
And the dumb DJ plays foul disco
The couch is made of sand
And there’s two mirrorballs
A lesbian waitress with breasts
Like cushions bites a double cheese
Burger next to me
And I raise my hard earned hand
And a black girl of short skirt
And legs of smooth muscle
Eyebrows arched
Says ‘Hold on boy.’
She puts the tumbler on top
Of my notebook and pouts
As if I hadn’t seen enough
‘What you writing?’ she asks.
‘The history of cocktail waitresses.’
She leans down so swell
Her titties are magnificent
And perfume like a dessert
Wine starts me off
‘How much have you had to drink?’
Women interrupt moments of play
With too much banality
‘Je ne me souviens pas.’
‘Vraiement, smartass.’
Hand on my thigh
She takes my blue pen and
Puts down numbers
‘I’m done at 1 and live
Two streets away but you
Can walk me home.’
‘Should I…?’
‘There’s plenty to drink at
My place, but wait ‘till then.’
Saturday, 20 February 2010
In the garden Adam had it good:
Eve’s party pillows, the starfish,
her virgin cunt.
No rubbers or down payments
No phone calls or Hollywood bullshit.
But this serpent beast
With little eyes
Came out of Satan’s unwashed
Foreskin and offered Eve
A big
red
apple
‘Is it any good?’
She asked.
And like most creatures
Of earth
She didn’t wait for the reply.
Eve’s party pillows, the starfish,
her virgin cunt.
No rubbers or down payments
No phone calls or Hollywood bullshit.
But this serpent beast
With little eyes
Came out of Satan’s unwashed
Foreskin and offered Eve
A big
red
apple
‘Is it any good?’
She asked.
And like most creatures
Of earth
She didn’t wait for the reply.
Thursday, 18 February 2010
Mate
You’ve got your right hand
And both balls
You’ve got a bottle of Ricard
On the windowsill
And you can spell
Your name.
You don’t forget birthdays
And you’re at ease with
American tourists and toilet
Attendants.
They say too much
You look like Brando
In The Teahouse of August Moon
Or a critically deformed Di Caprio
But you don’t feel it
‘cause there’s no lipstick collars
No tampons in the bathroom
Cabinet
You pass out weekends
And sniff doi choi
You’re not refereed
They don’t discuss what you work on
Or Schrödinger’s cat
So slip a note into a hookers g-string
Bribe a child to nick first edition Hemingway’s
And rest your eyes on stupid murals.
And both balls
You’ve got a bottle of Ricard
On the windowsill
And you can spell
Your name.
You don’t forget birthdays
And you’re at ease with
American tourists and toilet
Attendants.
They say too much
You look like Brando
In The Teahouse of August Moon
Or a critically deformed Di Caprio
But you don’t feel it
‘cause there’s no lipstick collars
No tampons in the bathroom
Cabinet
You pass out weekends
And sniff doi choi
You’re not refereed
They don’t discuss what you work on
Or Schrödinger’s cat
So slip a note into a hookers g-string
Bribe a child to nick first edition Hemingway’s
And rest your eyes on stupid murals.
Wednesday, 17 February 2010
Call This
Foal walking
As Paul took her on Hampstead Road
Zippers snapped
On board
A missing oyster
Puking lipstick coins
Avoiding pavement
You pulled off
Those black heeled boots
And said:
‘Don’t touch my belly.’
Serving up three original captain’s
And lowered volume
I dozed hard against your back.
As Paul took her on Hampstead Road
Zippers snapped
On board
A missing oyster
Puking lipstick coins
Avoiding pavement
You pulled off
Those black heeled boots
And said:
‘Don’t touch my belly.’
Serving up three original captain’s
And lowered volume
I dozed hard against your back.
Tuesday, 16 February 2010
Lesson
History’s not written by foul mouthed sailors
Nor Libyan dwarfs or the uneducated.
History’s colour blind and show’s favoritism.
History was tipped off.
The Bible was written by fish
With remarkable hands.
The I Ching was knocked out in a week
By a speed head.
The author of the Epic of Gilgamesh
Had seven illegitimate children.
The past can’t be written
It’s a piss stain,
A line of cut coke,
Movie reels.
Nor Libyan dwarfs or the uneducated.
History’s colour blind and show’s favoritism.
History was tipped off.
The Bible was written by fish
With remarkable hands.
The I Ching was knocked out in a week
By a speed head.
The author of the Epic of Gilgamesh
Had seven illegitimate children.
The past can’t be written
It’s a piss stain,
A line of cut coke,
Movie reels.
Monday, 15 February 2010
Pulp
She grew up NYC
Upper west
Did burlesque to Epic
In a gay bar
While escaping canines turned
To coins
I let her rub the crown
We dropped
After school
Without wearing
We slit
Wisdom
Sniffing pets
Huffed
Into drama's door
Upper west
Did burlesque to Epic
In a gay bar
While escaping canines turned
To coins
I let her rub the crown
We dropped
After school
Without wearing
We slit
Wisdom
Sniffing pets
Huffed
Into drama's door
Sunday, 14 February 2010
Indonesian hookers hang out in Saritem’s alleys
Not cleaning the tulip staircase
Scratching my leg
Letting my toenails curl
With disappointed Catholic sperm
Bereft of passion
No copulation in sight
The end of my tether
Is soaked in Dubonnet
Not near wet shaved legs
Or just worn panties
They’re reserved for the clean
Lungs and red tongues
The multilingual
They don’t pick up
Dog turd or stroll
Canal St Martin
They banquet in large dining
Rooms with chandeliers
They slip through any
Sized crack
And tire of lick outs
And spooning
They don’t hide internet
Prescriptions in matchboxes
Or write poetry.
Scratching my leg
Letting my toenails curl
With disappointed Catholic sperm
Bereft of passion
No copulation in sight
The end of my tether
Is soaked in Dubonnet
Not near wet shaved legs
Or just worn panties
They’re reserved for the clean
Lungs and red tongues
The multilingual
They don’t pick up
Dog turd or stroll
Canal St Martin
They banquet in large dining
Rooms with chandeliers
They slip through any
Sized crack
And tire of lick outs
And spooning
They don’t hide internet
Prescriptions in matchboxes
Or write poetry.
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